I know this is a late post because this event has come and gone, but the lease I can do is share some photies with you.
There is something so amazing about standing at the foot of a huge electronic stage with bass flowing through your body, pulsating through every fibre. The media rules were pretty strict at this event. No mono-pods, no flash, we could only be in the pit for the first 9 minutes (due to the pyrotechnics and the fact that we would get burned). But hell I didn't care. Not only did I get to see Skrillex, but I was lucky enough to see his mentor 12th Planet. Let me tell you, trying to take pictures without a flash when you have beats pumping through your body is crazy hard (and I am short), so forgive me please for these shots.
Here is the article page I did. For those of you unable to enlarge, I transcribed the article below, you know, in case you wanted to read it!
I wrote, photographed and designed this page for The Weekend Witness 9th March 2013. |
AS soon as I stepped into the The Wavehouse arena that had been especially converted for The Mothership Tour, I knew I was about to witness something special.
The
atmosphere was electric, with fans having come from all over KwaZulu-Natal to
see the DJ who calls himself Skrillex perform for the first time on African
soil.
To
be a journalist is to be a voyeur; you have to separate yourself from the
action in order to fully understand the spectacle. A journalist will be behind
the pictures and behind the story; it is her job to expose the story in such a
way as to transport the audience to the scene of the action, to entertain, to
tell stories and to enlighten.
However,
as I found myself among thousands of spectators on Sunday, I could not help but
be swept up in all the excitement.
We
were all there to witness one of the world’s leading electronic dance music
pioneers in action. I could barely contain my excitement.
Not
only would I get to hear him perform, but I would be among a few people to get close
enough to see him perform.
There
was much debate as to how much performing Skrillex would actually be doing on
Sunday. The new generation of electronic DJs travel light. Often their
instruments consist of no more than an Apple Mac and a thumb drive. Luckily,
the South African audience was treated to a full hour-and-a-half performance
involving a VJ (video jockey), pyrotechnics and Skrillex mixing and performing
his own songs.
This
year, Skrillex firmly cemented himself as a musical force to be reckoned with
when he won three Grammys for best dance recording and best dance/electronic
album for Bangarang, as well as best mixed recording for Promises.
Overall
he is a six-time Grammy winner, which places him in the same category as Red
Hot Chilli Peppers, Adele, The Police and The Eagles. More importantly, he has
outdone other electronic Grammy winners such as The Chemical Brothers (four
awards), Daft Punk and David Guetta (two awards each).
But
where did this man come from? For many, Skrillex has become the name at the
forefront of digital music, but very few of his fans know him by his name,
Sonny Moore. This 25-year-old musician started his musical career in 2004, when
he performed as the lead singer of the post-hardcore band From First to Last,
with which he recorded two albums. After having undergone a vocal surgical
procedure, Moore left the band in 2007 to pursue a solo career. He released the
EP Gypsyhook in 2009 under the alias Twipz, and then planned to record
the album Bells with producer Noah Shain. But this album was never made
and Moore began performing under the name Skrillex.
He
gained commercial success after releasing My Name is Skrillex and Scary
Monsters and Nice Sprites for free download on his MySpace
page in 2010. In November 2011, Skrillex was nominated for five Grammy Awards
and won three.
Pivotal
to his success is the fact that Skrillex, much like other artists in his field,
produces his own work and releases it for free. In this way he is able to
bypass piracy laws, allowing for a larger audience reach.
Just
how far his musical reach stretches became all too clear as I stood among
thousands of my peers who were chanting the name of this young Californian DJ
who has changed the face of music.
“This
is really crazy for me, man,” said Skrillex, accepting the first award in 2012.
“I
made this song in my bedroom when I was living illegally in a warehouse in
downtown LA.”
He
went on to tweet: If I can win Grammys then that means all you yet to be seen
bedroom geniuses will one day TAKEOVER THE WORLD!”
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